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It's either a terrific movie with these qualities:Hidden very subtle humor. Characters we are challenged to focus on despite the fact they are not physically attractive. Characters we are challenged to care about despite the fact they are morally complex and maybe more odious than otherwise. Characters we are challenged to grasp despite the fact they are multi-dimensional. A story that does not follow the Hollywood 3-act system. A story that challenges us to distinguish the present from the past. A story that challenges us to understand the plot without backstory or exposition. It's either all that. Or it's pretentious trash. Despite Ben Kingsley's good work, I am in the latter camp. I was actively bored for the first hour; not restless; bored. I did not respect the many scenes with people walking "as if they had a purpose" (many such scenes; filler or what?). I found the music abrupt, disruptive, very distracting, and obviously manipulative, telling us precisely how to feel, like the worst Hollywood drivel/dreck. I cared about no one. I disrespect the filmmakers latching on to the kitschy trend of sticking an old Dean Martin Capitol record on closing credits. ("Hey, how about a Dean Martin song to close a British movie?" "Coo-ulll idear. Very cree-ay-tiv.") One example of how bad the movie is: We first see Ben Kingsley in profile, walking "as if he had a purpose," walking in a predatory march, in profile. Fine, I get it. --CUT TO: He is a passive, semi-relaxed passenger in a car. Does this mean he's multi-dimensional (predatory and/or passive) and we should pay attention? Or does it tell me the director and writer were very confused? I wanted to like this movie. I couldn't wait for it to end!
Gal and his other English ex-patriates have retired from the crime scene of London to the sunny coast of Spain. Here they live a life of leisure and contentment, until storm cloud in the person of Don Logan looms on their once sunny horizon. Logan appears as an unstoppable force of violence determined for Gal to return with him to London for one last heist. The relaxed air of the seaside Shangri-la is suddenly thick with tension and dread. Paradise has been lost. The film moves on to London where we meet the menacing crime boss Teddy Bass who persents a different level of evil than Don Logan. A creative heist occurs and then Gal must find his way back to Spain. I feel that the film peaks in the middle with the arrival of Logan then peters out toards the end. When Don Logan is not involved in certain scenes after his arrival, the level of electricity dimminishes somewhat. Another item that can make this a difficult film are the thick Cockneye accents which take a while to acclimate to. Overall, this a a pretty entertaining flick, with good performances, a well done plot and a performance of lifetime from Kingsley.
Man! Kingsley gave me the creeps the moment the back of his bulging bald head 1st appears. He is even scarier than Joe Pesci in GOODFELLAS. The looks of Kingsley's Logan with bald head & veins popping and goatee could make him pass for an older but supermenacing Stone Cold Steve Austin of the WWF! Even the sight of Logan urinating on the rug (in Gal's villa!) gave me goosebumps. He would kill Tony Soprano with his bloody stare! SEXY BEAST is MY Sopranos! This is MY SCARFACE! Give Ben who once played Gandhi an Oscar nomination. Just give him the ... Oscar! And Ray Winstone is sooooooooo terrific here. He is on a roll after his other flicks NIL BY MOUTH & THE WAR ZONE. It was also great to see another fine Brit actor Ian McShane (remember LOVEJOY on cable's A&E?) as a gay mobster w/ 1 sinister sm:)e. I adore his all black business suits and sleek trenchcoat. SEXY BEAST is a job well done by music video director Jonathan Glazer who shows us 1 of the most bizarre (underwater) bank robberies I've ever seen. I won't give much but don't you think Winstone and the robbers should've drained the Turkish bath pool that's next to the bank first? I am still putting this classic in my Top 3 Best Films of 2001 and it is only June. Hope it will be honored @ Oscar time in 2002. |