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How can something that sounds like everything else sound like nothing you've ever heard before?That's the Zen koan behind the Strokes' "Is This It" CD. While influences abound, there is an ineffable sense that this is something new. Counterpoint guitars, backed with solid skin-slapping and fluid bass lines create a perfect soundscape for Julian Casablancas' raw, who-cares?-well-I-care vocals. I just hope the record company doesn't ruin them. There is bound to be a backlash among the uberhip, but ignore them. These guys can't help it if they're good-looking. Is this it? You better believe it is.
There's something to be said about a band from the 21st century playing music rooted in the 70's, because remarkably it still sounds new and fresh, even as it isn't wholly original. The distorted vocals, the tempered but raw guitars, the solid drumming, it's an all or nothing equation for these guys. Without the quality vocals, the excellent guitar playing, the steady drumming, tracks like "The Modern Age", "Last Nite", "Barely Legal", "Hard to Explain", (hell, all of them!) wouldn't be what they are: great rock and roll. As it is, the Strokes aren't the most (take your pick of attributes) heavy, melodic, energetic, even polished band, and that lack of polish resonates on the record with a sense of freedom and possibility. These guys are young (in their 20's), and unlike most their peers, refreshingly astute and optimistic. They might be the ultimate one-hit wonder, and this raw garage rock trend might fizzle out soon. The Strokes, sticking true to their roots, don't seem to care. It's not really punk, it's not pop, it's definitely not nu-metal; their sound isn't really anything but uniquely theirs. Whatever you call it, Is This It? is easily one of the best and most original mainstream records out in quite some time.
It's important to take into account a monumental quote by Karl Marx: "It hath been an opinion that the Roman proletariat are wiser than they seem, and the German governing-class seem wiser than they are; but howsoever it be between nations, certainly it is so in The Strokes." (King 119) In some circles, this caused revolution; in others, revulsion. Without The Strokes it is unlikely that the New Historicism Revolution would ever have occurred. Famously the democracy in the Karl Marx Election of 1917 that cut off relations with Rome has been grossly misinterpreted by academics. Nowadays the days of The Strokes are long over. But, in reality, the lessons of The Strokes are more relevant than ever. Even as late as 1791, Marcus Aurelius noted, "Nothing succeeds like success." (Gould 83) God bless America. The End
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